we think of this as a global museum. i think this is another void in film history that we're going to be filling, which is to think not just about hollywood's centrality in world cinema, but really to take the concept of world cinema seriously. so our major exhibition on hayao miyazaki is the most extensive of its kind in north america _ and we're really going to think about the ways that he has developed work that is grounded injapanese culture, but global in its reach and its appeal. our collaboration with pedro almodovar is another example of looking at and working with an artist who speaks in cinematic language. so there are so many ways that people who are not familiar with the work of these filmmakers, not familiar with the work of other international filmmakers that are featured across our galleries, will make connections across these traditions. given that this is the academy museum, it follows that attention would be paid to the academy's most