just by sitting down and trying. and i had written a lot of songs by then and i had written, you know, i had gone through this phase in my teens, like a good teenager, of musicalising ts eliot poems. like, i've got this song that i can still hear that goes: # #let us go, then, you and i #. right? we all know that. and by the way, i've gone back to eliot in my later years and it stands up, man. it's brilliant. it's beautiful stuff. anyway, i even had, i did a bit of wasteland as well. # this is the way the world ends...#. like, i was using this grunge stuff coming out of seattle and, like, putting it to ts eliot lyrics. so i was already writing music to pre—existing lyrics and this love's labour's lost thing was built of the script, which has a few songs in it, you know, like all his comedies have a "hey, nonny nonny" and a bit of a thump, but then it was enhanced with other sort of metaphysicists and elizabethan poets