will own the master and any slave recordings. a slave isis a copy ofof the ma. the roots s of these terms obviviously gogo back to t the very bibirta nation e era of whitite suprem. lisa r respers frarance: alalmost sincece the begining ofof the musicic industry,, there e have been n the feelig thatat white artrtists havee taken frfrom black a artists and mamade it intoto somethining that thehey felt wawas more palalatable for a whitite audiencece. shirley hahalperin: anand it hahappens in e every indusus. in f fashion, inin music, hihis- you naname it. the momoney doesn'n't flow. ththe attentioion doesn't t w toto the blackck creators.. it is, i in a way, h hijacked by the w white creatators. cari chahampion: litittle richchard had ofoften said,, i am thehe originatotor. he wouould say thahat all the e. and as a a kid, i dididn't knknow what ththat meant.. it didn'n't really make senense to me.. but ththen when yoyou look back at ththe history y of soe