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therere was seisismic acactivity in n seattle. anchchor: the swswifties danced andnd jumped soso muc. ananchor: the e equivalentntf a a 2.3-magnititude earthqhqu. tayloror swift's i impact on p culturure today isis extraordid. the concncert, fromm my undnderstandingng, genenerated billllions of dodo. vanessa a yurkevich:h: one econt susuggests thahat taylor s sw, through h her us touour, coud add $5 b billion to o us gdp. if cacari champioion: you're e o 8080, you knowow a song off tataylor swiftft's. natete rogers: i in modern pop timemes, you havave yoyour cream-o-of-the-cropop ar....

♪ ♪ i was in my car in atlanta on the tenth and 14th bridge going over the split when i heard "shake it off." first thing i thought was the track was amazing and then the hit came in ♪ the players going to play, play, play, i'm just going to shake, shake, shake, shake it off ♪ >> how does a person feel when they come home and feel like their house has been robbed? that's how i felt. ♪ players going to play, play, play, play ♪ ♪ ♪ >> you have the cream of the crop artists and taylor swift is the top. >> she's a modern pop star but old fashioned as it gets. she believ...

Will own the master and any slave recordings. a slave isis a copy ofof the ma. the roots s of these terms obviviously gogo back to t the very bibirta nation e era of whitite suprem. lisa r respers frarance: alalmost sincece the begining ofof the musicic industry,, there e have been n the feelig thatat white artrtists havee taken frfrom black a artists and mamade it intoto somethining that thehey felt wawas more palalatable for a whitite audiencece. shirley hahalperin: anand it hahappens in e every indusus. in f fashion, inin music, hihis- you naname it. the momoney doesn'n't flow. ththe attent...

>> i think a lot of people are just now waking up to the fact that most music genres that were birthed in america were birthed by black people. ♪ ♪ >> and were stolen and popularized by main stream white artists. >> the issue of cultural appropriation really speaks to the roots of the music industry. which have been for as long as recording as existed has really been riding on the back of black talent. some recording contracts still say the record company will own the master and any slave recordings, a slave is a copy of the master. the roots of these terms obviously go back to the very bi...