when someone gets a laugh on that stage, they actually hold, as you do not in real life, as you do not in single-camera. you are holding for that laugh. - oh... [audience laughter] - it's an abstract. - not abstract enough. - [chuckles] you've done an amazing job. - it looks like something, though. what does it look like? - you can get close. you can even touch it. - i'm fine. - this is bugging me. where have i seen this before? - we started studying what phil rosenthal was doing with "raymond," and he was embracing the very best of what the genre could do, which was interesting characters. he provided me with a very, very loud reminder