such a big deal, and strangely, all these guys would say to us, "well yeah, i mean, it's a good script, but who's gonna save them in the end?" all right, come on. we're taking you out of here. [ sobbing ] come on. you're taking my wife?! you don't take one step. you understand me? sergeant nelson, you have until 8:00 tomorrow morning to turn yourself into iad. phyllis! if you don't, i will. hart: it was a time where you really saw an emergence of women on television who were not necessarily just 20 and blond and had a small role. but women who had substantial roles. ♪ thank you for being a friend ♪ ♪ traveled down the road and back again ♪ it was unpredictable that an audience, a young audience, a not so young audience and lots in between could relate to those older ladies. ma, if you couldn't see, why didn't you call me to come get you?