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Dar Jacir art centre in Bethlehem suffers damage after raid: 'We're used to rebuilding'

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On Saturday, the Dar Yusuf Nasri Jacir for Art and Research, known as Dar Jacir, in Bethlehem, the West Bank, was raided and ransacked
, resulting in property damage and loss.
Aline Khoury, managing director of Dar Jacir, told
The National that the Israeli army
entered the centre in the middle of the night and used it as a vantage point to target
protesters on the street. No injuries were sustained by the Dar Jacir team.
“
They raided it and used the rooftop to shoot at the Palestinian protesters,” she says.
Three witnesses, including neighbours and shopkeepers in the area, confirmed to the Dar Jacir team that they saw the Israeli army enter the garden and up to 12 Israeli soldiers on the roof. ....

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Our museums are bent on 'decolonisation' at the expense of showing us beauty

Our museums are bent on decolonisation at the expense of showing us beauty
As British galleries reopen, a disappointing trend for preaching at an ‘unenlightened’ public is rearing its head once more
The Making of Rodin added explanatory wall-texts to its displays
Credit: Tate/Geoff Pugh
This week, our cultural awakening should have made me approach the arts with a renewed vigour, a sense of optimism. It hasn’t. Instead, I have found myself without much inclination to enter any of the museums or galleries that have reopened.
Why? Because I know that my enjoyment will be affected by the postmodern disease of relativism. At Tate Modern, the much-anticipated Rodin exhibition has been marred by preachy notes explaining that the sculptor was a Bad Person, a sex pest who got his assistants to do all the work. Meanwhile, the terrific Michael Armitage has rightly been given an exhibition at the Royal Academy, but his gorgeous, complex paintings have been under ....

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Necrophiliacs and dancing bears: meet the wild artists of the Society of Dilettanti

Necrophiliacs and dancing bears: meet the wild artists of the Society of Dilettanti
A series of works on show at Sir John Soane’s Museum was funded by an 18th-century group who were truly mad, bad and dangerous to know
20 May 2021 • 5:00am
In their cups: various members of the Society of Dilettanti (1778), as painted by Joshua Reynolds
Credit: Alamy
All the boisterous patrician privilege of the Bullingdon Club crossed with the artistic hunter-gatherer instincts of the Tate trustees: that was, approximately, the Society of Dilettanti, founded in 1734 by some aristocratic courtiers around Frederick, the Prince of Wales who would predecease his father, George II. They had returned reluctantly from their classical tours in Italy “desirous of encouraging at home a taste for those objects which had contributed so much to their entertainment abroad”. ....

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L'alegria de viure d'Eurovisió desafia la Covid a Rotterdam

L'alegria de viure d'Eurovisió desafia la Covid a Rotterdam
elperiodico.cat - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from elperiodico.cat Daily Mail and Mail on Sunday newspapers.

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No thanks, Glastonbury: the stars who turned down the world's biggest stage – and why

The Kinks were the first to say no to Glastonbury
Credit: RedFerns
The first Glastonbury Festival was where the disappointment began. In 1970, Michael Eavis, then an enterprising 35-year-old farmer, had arranged for The Kinks, and several other bands, to perform live at his Somerset farm. Admission would cost only £1 (about £15.20 today). The attendees were promised an “ox roast” to eat, and “free milk” on tap.
But Eavis was a farmer, and not well-versed in PR. He quipped to the press before his event that “playing skittles” was the acme of local culture; Melody Maker reported this, and described Eavis’s project as a “mini-festival”, no more. Ray Davies got wind, faked a doctor’s note about a sore throat, and The Kinks handed their slot, at the top of the bill, straight back. ....

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