Vivian Stanshall's best albums: a Buyers' Guide
Vivian Stanshall has an indisputable place among the Great English Eccentrics. I first met him at St. Martins School Of Art. He was part of the ban-the-bomb-bird raver subculture of trad jazz and Victoriana. The dumb commercial end was Acker Bilk; the Temperance Seven were smarter, but still a commercial novelty. Stanshall, however, was in the totally bizarre Bonzo Dog Doo-Dah Band, whose Dadaist jazz and Roger Ruskin Spear’s surreal robots made them unwitting precursors of steampunk.Five years later, in 1967, The Bonzo Dog Doo-Dah Band performed the song Death Cab For Cutie in The ...