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because i knew i could not sing and dance. it is a tremendous way of throwing myself into a genre that physically i would never be a part of except to be able to tell a story in that indium. a? able to tell a story in that indium. ~' ., able to tell a story in that indium. ~ ., , indium. # i like to be in america _ indium. # i like to be in america # _ indium. # i like to be in america # 0h _ indium. # i like to be in america # oh to - indium. # i like to be in america # oh to be - indium. # i like to be in america # oh to be in l indium. # i like to be in - america # oh to be in america. the 1961— america # oh to be in america. the 1961 film adaptation of the musical was a huge hit and it won ten oscars. it is a revered classic. the new film is seen as more intense.— as more intense. there is bloodshed, _ as more intense. there is bloodshed, brutality - as more intense. there is bloodshed, brutality and, as more intense. there is- bloodshed, brutality and, yet, it manages to do a very tricky thing which is there are these incredibly realistic and powerful scenes and then it becomes operatic. it becomes musical theatre. the becomes operatic. it becomes musical theatre.— musical theatre. the 1961 film was criticised _ musical theatre. the 1961 film was criticised for _ musical theatre. the 1961 film was criticised for having - musical theatre. the 1961 film was criticised for having them | was criticised for having them new members of a puerto rican gang portrayed by white actors. for this movie we just wanted to get it right in a way that we wanted every single person who plays a puerto rican to be from a letter next community. another was the mandate from the get go.

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