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Someone else comes along with a different twist on it. Nenbermedia and with addional funding from these foundations and indiduals and by and the annual Financial Support of hello, im john lithgow. Welcome to american cina. In the man who shot liberty valae, john fords great film a newspaperman says, when the legend becomes fact, print the legend. That may n be Good Journalism but it mak a good western. The history of the western is often a history of legends, lly the kid, wyatt earp, e gunfht at the corral. Nothe real west, but a mythical place full oimages that are uniquely american the en fr...

that what we have learned to live with in terms of a character's psychology and set of behaviors, if pushed just a little ways, is pretty frightening. (henry sheehan) it becomes obvious as the film wears on that wayne does not want to rescue his niece, he wants to kill her. nope. our turnin' back don't mean nothin', not in the long run. if she's alive, she's safe. for a while. they'll keep her to raise as one of their own until -- till she's of an age to -- i can't imagine a film in 1956 talking about american fears of interracial sexuality in such an explicit way, outside the bounds...

of interracial sexuality in such an explicit way, outside the bounds of the western. stand aside, martin. no, you don't, ethan. ethan, no, you don't. stand aside. i think that jean-luc godard is supposed to have said he always cries when wayne chases after natalie wood, catches her and lifts her up and you are supposed to think that he's going to shoot her, or strangle her, or something. and he says... let's go home, debbie. (lindsay anderson) it works because ford was a canny filmmaker and he knew how to do a sequence like that, but it doesn't mean very much. my feeling is that the ...