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Monster on Netflix: A "good kid" accused of murder - World Socialist Web Site

The film is competent, sensitive, well-intentioned. Why is it so unsatisfying?

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Monster. Published 5/10/2021. Media.

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NEW YORK (CNS) -- Though it's adapted from a book that's over a decade old, "Monster" (Netflix), director Anthony Mandler's screen version of Walter Dean Myers' 1999 novel for young adults, feels remarkably timely. This tale of a Harlem youth caught up in the criminal justice system gains credibility, moreover, by avoiding pat answers.
While uneven, Mandler's drama ultimately proves affecting.
Kelvin Harrison Jr. plays 17-year-old aspiring filmmaker Steve Harmon. With his happy home life -- Jennifer Hudson and Jeffrey Wright play his caring (but unnamed) parents -- and his scholastic success as an honors student at New York City's prestigious Stuyvesant High School, college hopeful Steve seems to have everything going for him.

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'Monster' doesn't settle for easy answers to complex issue – Catholic Philly

‘Monster’ doesn’t settle for easy answers to complex issue
Kevin Harrison Jr. stars in a scene from the movie “Monster.” The Catholic News Service classification is A-III — adults. The Motion Picture Association rating is R — restricted. Under 17 requires accompanying parent or adult guardian. (CNS photo/Netflix)
By John Mulderig • Catholic News Service • Posted May 14, 2021
NEW YORK (CNS) — Though it’s adapted from a book that’s over a decade old, “Monster” (Netflix), director Anthony Mandler’s screen version of Walter Dean Myers’ 1999 novel for young adults, feels remarkably timely. This tale of a Harlem youth caught up in the criminal justice system gains credibility, moreover, by avoiding pat answers.

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'Monster' movie review: Kelvin Harrison Jr. shines in predictable Netflix courtroom drama

A still from ‘Monster’

Based on the award-winning novel by Walter Dean Myers, the drama is a biting, if myopic, commentary on the flawed nature of the criminal justice system
More than three years since its world premiere at the Sundance Film Festival, Anthony Mandler’s
Monster is more relevant now than it ever was. For one, the story of a black teen caught on the wrong side of a racially unjust criminal justice system has become an on-screen staple; a case study in how art imitates life.
And yet, this latest Netflix release seems to be influenced more by some of its forgettable predecessors rather than focusing on the one’s which did impress. The film is essentially a courthouse drama, where scenes from the past and present are inter-cut at a dizzying pace, to shape a narrative that tries hard to engage its viewers.

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Netflix movie 'Monster' puts the system on trial and almost wins

“Monster” is an effective, affecting film that is at odds with itself.
The heartfelt, authentic performances, especially from Kelvin Harrison Jr., are measured and controlled. The direction, by Anthony Mandler in his feature debut, is anything but. He pulls out all the stops — quirky angles, security camera footage, grainy black-and-white photos and cellphone footage, among other things.
This is a movie with something to say but it isn't quite sure how to say it. It ends up making less of a statement on race and justice and more on how precision performances can make a movie better than it should be.

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