Live Breaking News & Updates on Antonio De La Loma
Stay updated with breaking news from Antonio de la loma. Get real-time updates on events, politics, business, and more. Visit us for reliable news and exclusive interviews.
Kike Narcea’s movie, currently screening at the Sitges Film Festival, won the audience award at the Fantastic Fest in Austin and best feature film at the Buried Alive Film Festival in Atlanta ....
Cine Quinqui, a film genre that originated in Spain and centers the lives of adolescents from marginalized communities, emulates the Robin Hood mentality, highlighting unspoken, raw stories of the destitute over polished mainstream cinema. It is a movement about the people and for the people, and is ....
Israel González wraps principal photography on La vida que no es nuestra cineuropa.net - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from cineuropa.net Daily Mail and Mail on Sunday newspapers.
Director Israel González surrounded by the cast of La vida que no es nuestra La vida que no es nuestra (lit. “ The Life That Is Not Ours”), the second film by Israel González, following Fuel (2019), has a screenplay penned by the director himself, which tells the story of El Javi, a boy from the suburbs who, after a two-year stretch in prison, is released and resolves to change his life. By coincidence, he meets Laura, and a love affair blossoms between them. Caught in the middle of all this are the protagonist’s younger brother, Carlitos, a small-time crook with a certain reputation in his social circles (for being a troublemaker through-and-through), and their father José Manuel, a man who has given in to solitude and nostalgia, who will find himself at a crossroads, hurtling towards a hellish life on the streets. ....
Luis Tosar in a minor role. An aerial shot taken from one of the Cuatro Torres in northern Madrid has us looking down on a swarm of ant-like passers-by, symbolising our protagonists longing to elevate his social standing. From his home in the far-flung outskirts of the city, the distance to those gleaming skyscrapers seems insurmountable. This run-down suburb is a hotbed of violence, scheming, criminal masterminding and car pimping, home to a rough-and-ready wannabe mafia. In this respect, at least, Calparsoro’s film dovetails thematically with the quinqui aesthetic of flares, frenzy and trigger-happy violence, peopled with low-lives ready to prostitute themselves for a bit of cash, created by trailblazing filmmakers like ....