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Of what was then referred to as high definition television. before that, television was just an odd fuzzy experiment small, selected audiences. and behind the scenes there was a bit of a battle going on. see, the bbc had actually opened up two studios at alexandra palace. this, studio b was a mechanical system which was made byjohn logie baird and it produced an image like this. meanwhile, in studio a, they were trailing an electrical system by emi and what they would do as they would alternate studios and systems on different days so they could compare the results and it turned out that emi s images at 25 frames per second were double the quality of the baird system. it had other advantages too. the baird camera was enormous. that emi one was somewhat more portable. and if you are filming with the baird system you need quite a lot of make up too. well, this is how it was, playmates. black and white, you see? and a bit of blue down each side of the nose. very sexy. ....
And added the data pod element to it. as users log in, behind the scenes, the software creates a pod for each person. press play, and here we go. and when you stop watching, this bbc trial shows you what data s been collected. we couldn t do a watch party without storing some - data about you. the difference here is we re - storing that data away from us, in your pod that you control. it s notjust about entertainment this is just one example of something you could do with this system. that s right, exactly. we ve seen interest - from healthcare providers, where your health data - is incredibly personal to you you don t want anybody getting access to that. i no, people are more obviously sensitive about that. exactly. there s a project in flanders happening at the moment . where some of your educational qualifications are being put - into a pod. solid is just one of many ideas aiming to help us own our data. others, even allowing us to sell it, have failed to take off at scale may ....
You must have your favourite name here, right? i know what my favourite is. we re going for that. laughs. they also have solar powered cameras that they ve installed on sites, such as in this beehive here. so, there s a sustained effort across the site to lower emissions, but also off site. a lot of producers are now utilising the work from home way of working, so they don t spend unnecessary fuel going to sites. and for the really remote sites, they re using solar panels to power up their recording set ups. but there s also one more special thing about this system. it uses al to flag a clip when an animal appears and tries to identify it. so, this year, we ve got got 32 wildlife cameras across the site. and all of those need to be monitored and logged for activity 2a hours a day. that s a fairly intensive process when it comes to labour, so bbc r&d have come up with al tools that will help identify different forms of wildlife. they are very accurate. species of birds are often ....
Before that, television was just an odd fuzzy experiment to small selected audiences. and behind the scenes there was a bit of a battle going on. see, the bbc had actually opened up two studios at alexandra palace. this, studio b was a mechanical system which was made byjohn logie baird and it produced an image like this. meanwhile, in studio a, they were trialling an electrical system by emi and what they would do is they would alternate studios and systems on different days so they could compare the results and it turned out that emi s images at 25 frames per second were double the quality of the baird system. it had other advantages too. the baird camera was enormous. the emi one was somewhat more portable. and if you are filming with the baird system, you need quite a lot of make up too. well, this is how it was, playmates. black and white, you see? and a bit of blue down each side of the nose. very sexy. ....
This, studio b was a mechanical system which was made byjohn logie baird and it produced an image like this. meanwhile, in studio a, they were trialing an electrical system by emi and what they would do as they would alternate studios and systems on different days so they could compare the results and it turned out that emi s images at 25 frames per second were double the quality of the baird system. it had other advantages too. the baird camera was enormous. the emi one was somewhat more portable. and if you are filming with the baird system you need quite a lot of make up too. well, this is how it was, playmates. black and white, you see? and a bit of blue down each side of the nose. very sexy. the emi system on the other hand could capture a well lit studio perfectly fine, so the winner really wasn t hard to choose. ....