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Los Dantos son una auténtica maquinaria roja al imponerse en 15 de sus últimos 18 juegos en el Pomares 2021

Con Alcántara al rescate, Marlins doblegan 3-2 a Bravos Associated Press FacebookTwitterEmail El lanzador de los Marlins de Miami, Sandy Alcántara, lanza en la primera entrada contra los Bravos de Atlanta, en Atlanta, el sábado 3 de julio de 2021. (AP Foto/Ben Margot)Ben Margot/AP ATLANTA (AP) — El dominicano Sandy Alcántara trabajó seis entradas con control, Garrett Cooper conectó jonrón y produjo dos carreras, y los Marlins de Miami se impusieron el sábado 3-2 a los Bravos de Atlanta. Los temperamentos estuvieron apaciguados un día después de que el venezolano Pablo López fuera...

Bordeaux : Lopez nomme l'ancien bras droit de Luis Campos comme directeur technique ! Le 27/06/2021 par Victor Willems Mercato Bordeaux : Lopez nomme l'ancien bras droit de Luis Campos comme directeur technique ! Gérard Lopez n'est pas encore officiellement le nouveau propriétaire des Girondins de Bordeaux mais il a déjà nommé un directeur technique. Zapping Foot National Top 10 : les entraîneurs les plus chers de l'histoire Les Girondins de Bordeaux tiennent leur nouveau directeur technique, comme l'explique RMC Sport. Alors que Gérard Lopez, l'ancien président du LOSC, finalise l...

Cale Sexton with his new release Sustain. City of Melbourne, Sustain is a composition of computer-controlled bells and electronics, featuring the Federation Bells of Melbourne. One of Melbourne’s most exquisite art installations, The Bells have been used to produce music by various international composers over the years. On Sustain, Sexton expands his hardware-led approach to integrate with the computer-controlled Bells sequencing interface, producing a remarkably congruent synthesis of musical technologies. On the album, Cale says:   "Sustain evolved as a somewhat subconscious practice...

Last modified on Mon 1 Mar 2021 09.04 EST It was Till Lindemann’s voice that first drew me to Rammstein, the German industrial metal band that dominated my teen years. I first heard it on a Kerrang! compilation CD in 2002, where the band’s single Sonne appeared right at the end of a tracklist otherwise full of shouting Americans who sounded mad at their dads. As deep and scary as the Mariana trench, Lindemann’s dramatic baritone is incomparably filthy – and he was also singing in German, a language I had barely been exposed to as a tragically monolingual Brit. My obsession with Rammst...