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So that was yes which premiered here in berlin in 2017 composed by Rebecca Saunders who has joined me in the studio welcome and thanks so much for being here. Now you talk about music having these physical and sensual presence. Sound is actually a material in your work how did you develop what i would call a sculptural approach to music its hard to say in a way but. With specialized. Specialized projects so i find it really fascinating to actually create an environment where the audience is inside the sound so often i missed. A lot of stage work so chamber where its. Pieces but it is fascinati...

Me. So that was a yes which premiered here in berlin in 2017 composed by Rebecca Saunders who has joined me in the studio welcome and thanks so much for being here. Now you talk about music having these physical and sensual presence. Sound is almost actually immaterial in your work how did you develop what i would call a sculptural approach to music its hard to say in a way but. With specialized. Specialized stem projects so. And it really fascinating to actually create an environment where the audience is inside the sound so often i miss a little way they do right to a lot of normal stage wor...

Once again, whatever the weather, there is a wide variety of musical events on offer in Doncaster this coming month.

This summer programme features a wide array of harmonious and light works for choir. Mainly focusing on Baltic composers, it transmits the beauty of summer lights and the feeling of lightness at the same time. The programme also features three pieces by Benjamin Britten for choir and organ, challenging the choir to the joy of the audience. A free concert as part of the Abbaye de La Cambre season.

When that nasty cold was going around in March, Ellis Ludwig-Leone had lost his voice, pulling down a mask to whisper directions, Gollum-like, into the microphone: “‘Can’t Unsee It’ straight into ‘No Devil.’”