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Sudan träumt noch immer von der WM. Ali Gagarin äußert sich optimistisch über die Zukunft des sudanesischen Fussballs

Richard Saltoun Gallery opens an exhibition of works by Peter Kennard Installation view. LONDON .- Since the late 1960s, Peter Kennard (b. 1949, UK) has been equipping his audiences with a deeper understanding of the violence, inequalities and injustices in our society, while actively protesting against them. Kennard’s subjects have ranged from The Vietnam War, apartheid, the nuclear arms race, and ecological crisis – to name but a few of the campaigns to which he is committed. His preoccupation with the deceptions and cruelties of wealthy industrialised nations stems from his frustration w...

Richard Saltoun opens the first exhibition in a 12-month programme dedicated to Hannah Arendt Vivienne Koorland, Terezin Painting: Josef, 1991. Oil on linen set into wood mantel, 139.7 x 152.4 x 20.3 cm. Courtesy of the artist and Richard Saltoun Gallery. LONDON .- ‘On Hannah Arendt: The Modern Age’ takes its title from the first chapter of Arendt’s 1968 book Between Past and Future. In the preface, Arendt links thinking together with remembrance and storytelling. Remembrance is understood by Arendt to be one of the most important “modes of thought,” one that requires storytelling in ord...

Richard Saltoun Gallery announces a 12-month programme of exhibitions dedicated to the writings of Hannah Arendt Siah Armajani, Gazebo for Two Anarchists: Emilio Coda and Richard Henry Dana, 1991. Stained balsa wood, 30.5 x 59.7 x 24 cm. Image courtesy Rossi & Rossi and the artist. LONDON .-Richard Saltoun Gallery announced a 12-month programme of exhibitions dedicated to the writings of the German-born, American political philosopher Hannah Arendt (1906-1975). Since the gallery’s inception in 2012, Richard Saltoun has sought to shed light on difficult questions concerning inequality and id...

Setting the pace is the year-long Know My Name: Australian Women Artists 1900 to Now at the National Gallery of Australia, Canberra. “We were interested in the proliferation of women’s ideas, stories, exhibitions and projects that were generated in the wake of [the Me Too movement],” says co-curator Elspeth Pitt. Australian women artists from the past 120 years star in two thematic exhibitions and form the basis for a new online database. It’s a triumphant response to projects such as The Countess Report that have long fought for better gender equality in the cultural sphere. Thea Pr...