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The best quirky comedies recruit talented actors who understand their bit with a deep script to affect the audience. 

I hesitate to call "The Greasy Strangler" a horror-comedy because it's more surreal than humorous. The key distinction between humor and surreality is whether or not a joke is played for laughs. Many of the gags in "The Greasy Strangler" aren't really funny, but rather repulsive, confusing and annoying. That's not a knock, but rather an observation. This is, after all, a film where a disco-obsessed older man (who looks like a spray-tanned Spalding Grey wearing a Beethoven wig) competes with his pathetically nebbish son (thinning hair, clunky grandma glasses, ugly turtlenecks, promin...