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Hello. Imjohn wilson. Welcome to this cultural life, the radio 4 Podcast Series in which i talk to leading creative figures about the key moments of their life and the most important cultural works that have fired their imagination and had a profound impact on their own art. My guest is carlos acosta, the cuban born ballet star who, over a 30 year career, is now regarded as one of the greatest dancers of all time. He became the first black principal of the royal ballet and set new standards of grace and athleticism in theatres around the world. Having retired from the classical stage, he set u...

Hello. Imjohn wilson. Welcome to this cultural life, the radio 4 podcast in which i talk to leading creative figures about the key moments of their life and the most important cultural works that have fired their imagination and had a profound impact on their own art. My guest is carlos acosta, the cuban born ballet star who, over a 30 year career, is now regarded as one of the greatest dancers of all time. He became the first black principal of the royal ballet and set new standards of grace and athleticism in theatres around the world. Having retired from the classical stage, he set up his o...

Some awards in breakdancing in my own age group. and so, yeah, in the neighbourhood, in our barrio, i became quite well—known as a break dancer, myself and somebody else, opito, who used to be my breakdancing partner. he was white, i was black, and together we did all these numbers. you have nominated your father as a key influence in your life on your work. what was his job? what did he do? he used to drive a lorry, a massive lorry that he would transport food from all over the country, and sometimes he would go away for weeks, and sometimes months at a time. he worked very hard, and i star...

I was 9—10 years old, you know? i was a good breakdancing kid who could spin on the back of my head, and i had potential, very good, perhaps, and i picked up some awards in breakdancing in my own age group, and so yeah, in the neighbourhood, our barrio, i became quite well—known as a break dancer, myself and somebody else, who used to be my breakdancing partner. he was white, i was black and together we did all these numbers. you have nominated yourfather as a key influence in your life on your work. what was his job? what did he do? he used to drive a lorry, a massive lorry that he would ...