it was like listening to magic for us. but it was like listening to magic of something that we were also trying to do. so the level of sort of ingrained in our mind of, like, it's actually possible, if we do enough work, to do that. that first moment that you experience that never leaves you. why this one in particular? why is this the one? because...it�*s...it�*s not always the one that's chosen by violinists as the obvious one to play, is it? i think it started my lifelong love with brahms. i can�*t go to a single brahms�* symphony without crying four orfive times. like, ijust can�*t do it. it doesn�*t matter what kind of performance it is, the level of the performance, how many times i�*ve heard it, it�*s just... i think there�*s a quote about brahms that talks about smiling through tears. and i think, er...it�*s exactly... it�*s what happens in the coda moment of most of brahms�* works. just before the very end, you have this little moment that is... it captures his, um...