Notes On 'Passing'
The upcoming drama, based on the 1929 novel, looks at the cultural self-alienation a Black woman experiences when she attempts to gain the privileges that come with assuming a white identity.
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The upcoming drama, based on the 1929 novel, looks at the cultural self-alienation a Black woman experiences when she attempts to gain the privileges that come with assuming a white identity.
PG-13 | 1h 38min | Drama, Mystery | 27 October 2021 (USA) For her feature filmmaking debut, English actress Rebecca Hall (“Vicky Cristina Barcelona,” “The ...
Passing, Irene ( Tessa Thompson), a light-skinned Black woman, finds herself seated at an upscale hotel in a racially segregated New York City in the 1920s. Donning a pretty dress, heels, and a hat with a slight veil, she had just managed to make a purchase at a nearby shop with nary a white person bothering her. She then decides to press her luck that patrons of the next fine establishment won’t detect her race either. But comfort for Irene within that space is largely unattainable as she fidgets in her chair, eyes flitting left to right, fearing the worst might occur. It creates a sense...
From the 2021 Sundance Film Festival, we review Rebecca Hall's directorial debut, 'Passing,' starring Ruth Negga and Tessa Thompson.
Tessa Thompson and Ruth Negga play Black women in 1920s New York, navigating the "color line" from opposite sides in Rebecca Hall's adaptation of the Harlem Renaissance novel. Exquisite performances from Tessa Thompson and Ruth Negga provide the pulsing, emotionally heightened center to Passing, Rebecca Hall's assured move behind the camera, adapted with great sensitivity from the 1929 novel by Harlem Renaissance author Nella Larsen. "We're all of us passing for something or other, aren't we?" muses Thompson's melancholy character Irene Redfield. This is a dreamily atmospheric evocation of 1...