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But when party planner Suzanne is called away at New Year and her ex-husband won't take the kids, it's left to Nick to volunteer to take the gruesome twosome on a trip to meet their mom, hundreds of kilometres away in Vancouver. Best described as the cinematic equivalent of a deep-fried chocolate bar, Are We There Yet? manages to be utterly tasteless, saccharine and unsatisfying all at once. The warning signs were all there – director Levant has already given the world such dire offerings as Snow Dogs and Problem Child 2, while the trailer promised little more than sub- Home Alone-styl...

100 Worst Comedies of All Time By Jacob Osborn, Stacker News On 1/16/21 at 8:00 AM EST The notion that terrible films are often funny for being so inept is certainly applicable in the sci-fi or horror genres. But how can the worst comedies be funny in their failure to be funny? Therein lies the paradox and the reason why bad comedies are usually just plain bad. Nevertheless, it's been said that anything worth doing is worth doing badly—comedy is certainly no exception. With this in mind, Stacker compiled IMDb and Metacritic data on all comedy movies with more than 2,500 votes on IMDb and...

What's it about? An adaptation of the eponymous song by Renato Russo, a famous Brazilian singer and composer. After doing time in jail for killing the cop who murdered his father, Joao (Boliveira) heads for Brasilia where a distant cousin from Argentina helps him get a start as a carpenter's apprentice - as long as he sidelines as a drug dealer. He falls in love with Maria Lucia (Valverde), the daughter of a senator, who wants Joao to stop dealing, but his rival Jeremiah ensures that Joao has no hope but to stay in the game. Streaming after broadcast at SBS On Demand

Mistakes From the 100 Worst Movies of All Time By Madison Troyer, Stacker News On 12/20/20 at 12:00 PM EST The best movies create worlds with seemingly effortless magic. When a movie works, the audience doesn't notice the elements that construct a coherent sense of time and space. They're not thinking about lighting, camera movements, or the set, because they're immersed in the onscreen world. Continuity is invisible. A character opens a door, and the next cut shows a continuous action as the door opens in the next space with the character's hair and costume identical even if the two shots...