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A new exhibition in the Australian Centre on China in the World at The Australian National University (ANU) offers a rare insight into the dynamic ways Taiwanese photographers navigated the end of martial law in 1987. An image by Hsieh San-Tai shows masked protestors demanding minority language rights in 1989, while another by Chien Yun-Ping, simply titled Love, shows a ....

Helen Ennis , Shuxia Chen , Chien Yun , Hsieh San Tai , Olivier Krischer , National Taiwan Museum Of Fine Arts , Australian National University , Taiwan Studies Program , Australian Centre On China , Ministry Of Education , Centre For Art History , Australian Centre , Chien Yun Ping , National Taiwan Museum , Fine Arts , Professor Helen Ennis , Art History , Part Theory , Drs Shuxia Chen , Higher Education , Higher Degree , Group Of Eight , ஶியெ சான் தை , தேசிய டைவாந் அருங்காட்சியகம் ஆஃப் நன்றாக இருக்கிறது கலைகள் , ஆஸ்திரேலிய தேசிய பல்கலைக்கழகம் , டைவாந் ஆய்வுகள் ப்ரோக்ர்யாம் ,