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Set among fur-trappers in the Pacific Northwest in the 1820s, Kelly Reichardt’s First Cow captures the origins of modern American entrepreneurial culture. She talks about how seeing, not showing, has been her motto.
As her latest feature First Cow is released, Caitlin Quinlan takes a look at the director’s body of work to date
The overlooked, the underseen, and more: Unmissable gems to search out, from a very strange cinematic era
River of Grass to First Cow. ON RIVER OF GRASS – «When I look at that film, I think I am very aware of the films I was watching, and my influences are very much on my sleeve as a young filmmaker. It’s lucky that I shot in the neighbourhoods I knew, which now I shoot very far away from, a place I don’t know so I can be in a new place, but I think for that film it was good that I was sticking to something I did know: streets, highways I knew; all the places and interiors were all places I knew because I was still borrowing so heavily and looking at other people’s work, including Jarmu...
'First Cow' Director Kelly Reichardt on 'Daily Process of Making Art' Ann-Marie Corvin, provided by FacebookTwitterEmail Accepting the Robby Muller award online this week, ahead of a talk at the International Film Festival Rotterdam to celebrate her work, Kelly Reichardt appeared delighted with its form. In its second year, the award has taken the guise of an enlarged Polaroid print featuring a solitary tree, which was taken by Muller on a winter’s day in Munich during the eighties. More from Variety Both Muller and the award’s recipient have a talent for capturing landscapes and Reichar...