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Refashioning the Orient in M. Butterfly - Vimarsana News

Refashioning the Orient in M. Butterfly

Fashion Editor Anna Chan interviews Annie Ma, costume designer for the upcoming ADC main show M. Butterfly

An empathetic view of Northern Irish life: Trespasses and The Raptures - Vimarsana News

An empathetic view of Northern Irish life: Trespasses and The Raptures

Arts Columnist Naomi McKeown reviews two recently published books that explore different aspects of Northern Irish life during the Troubles

'Pro-Life' Ex-RNC Aide Who Dreamed Of Killing Kids Sentenced To 12 Years For Child Porn - Vimarsana News

'Pro-Life' Ex-RNC Aide Who Dreamed Of Killing Kids Sentenced To 12 Years For Child Porn

Ruben Verastigui was deeply concerned about fetuses.

We must not overlook the dark side of electric vehicles - Vimarsana News

We must not overlook the dark side of electric vehicles

Content Note: This article contains discussion of child labour and human rights abuses. These ever-growing numbers are often the cause of great celebration. For lots of people, electric cars are the perfect sustainable solution to reduce vehicle pollution and tackle the climate crisis. In many ways, they’re right. If we are to stand any chance of keeping global warming to within 1.5°C and avoiding the “severe, widespread and irreversible” impacts that are forecast beyond this, we need to dramatically reduce our greenhouse gas emissions. Globally, road transport makes up 12% of all gree...

Who's Next? The Dangers of the Internet - Vimarsana News

Who's Next? The Dangers of the Internet

Content Note: This article contains discussion of cyber-bullying, bullying, sexual abuse. “Smile,” a man says to us. “Smile,” he says again, with heartfelt earnestness. A sentimental piano score accompanies these words, and in the solemn times we currently live in, the purity of this segment packs a punch, like medicine for the soul. The man switches the front-facing camera to the rear, and we see a girl, Aless (Alessia Capparelli), sitting alone. She responds impassively: “What should I say?” “The truth,” the man replies. These shots open Miro Drobný’s 2019 anthology film ...