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the incredible work of the fresh prince at its most triumphant is when it was showing the ways that being black is always going to be a problem no matter what. vehicle registration, please. just a second. but the thing, officer, this isn t my car. there s the episode i remember where they get pulled over in a car. what? he is going to tell us to get out of the car. you watch too much tv. get out of the car. we have an interaction with the police officer that is horrible and racist in a lot of ways. and carlton has this epiphany about how money won t save him. no map is going to save you. and neither is your glee club or your fancy bel air address or who your daddy is. because when you re driving in a nice car in a strange neighborhood, none of that matters. they only see one thing. the writers of the fresh prince of bel air had a really tough task to approach these topics with nuance, and were ....
Justice too. sold. when they make fun of how fox works you are watching fox. we are watching fox. they are telling you don t trust us either. eat my shorts. all right. i ll eat eat your shorts? the simpsons is like shakespeare in the sense that we quote the simpsons all the time, very often without knowing it. excellent! i wish i could create something that culturally indelible. it s unlike anything else tv has ever run. twin peaks showed up out of nowhere at the beginning of the decade. the pilot episode of that was one of the strangest and most exciting things i have ever seen. i m at the twin peaks county morgue. with the body of the victim. what s her name? ....
no! you can t sit there. why not? that s where sheldon sits. he can t sit somewhere else? no, you see, in the winter that seat is close enough to the radiator so that he s warm yet not so warm that he sweats. in the summer, it creates a cross breeze by opening windows there and there. perhaps there s hope for you after all. don t touch that dial. we re about to flip it for you. in five, four, three, two. tv is changing dramatically now with 150 channels that might be available in the near future. there. there s a lot of things that ....
He walks out of the room, he goes into another interrogation room and he breaks the door in two with his fist. and i m choking up talking about it right now, because that s how great a moment of tv that it is. 20 years from now, the best tv dramas, what do they look like? i don t know. will they be bolder than what we see today? oh, assuredly, assuredly they will be. the 90s gave us several shows that didn t explode in the ratings, but were influential to other people making television. homicide is one of them. shell me with questions all night i m living in a danger zone homicide: life on the street was really innovative in terms of its style. it used music in ways that advanced the narrative and also used feature film directors that brought a look and style to the show that really stood out on television. tears coming out of your eyes. ain t no tears coming from my ....
Television or not. this husband of yours, carmella, how much we love him. he s the best. oh, come on. he s like a father to me. just make sure nothing happens to him. that character in that show was a great inspiration to a great many shows that came after it, including one that i worked on. you know what i want, tony? i want those kids to have a father. they got one, this one, me. tony soprano. and all that comes with it. oh, you prick. the 90s is a mixed decade of tv. some of my favorite shows of all time aired in that decade and everybody was watching them. there was still that communal sense from the earlier decades of tv, but it was being applied to shows that were reaching higher and farther, and they were great. because there was so many channels and because so much storytelling was going on, you started to get more variety of stories being told. get the skull film, schedule a c.a.t. scan, and call the ....