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Take Me to the Opera

and his wife audrey mildmay, the english born canadian soprano. the family tradition was continued by their son, george, and now their grandson, gus, who runs glyndebourne, lives on the grounds with his wife, the celebrated australian american soprano danielle de niese. my dad turned it from being a sort of a country house homespun festival into a world renowned international festival. he knocked down the theatre that his dad had built and he rebuilt the current theatre, which is a 1,200 seater, in the early '90s. and do you have any plans for its evolution? well, you have to have an eye for tradition on the past, but you have to keep relevant. it's about putting on fantastic world class, transformative operas. it's about nurturing young talent.

Glyndebourne , Grounds , Gus-christie , George , Audrey-mildmay , Soprano , Family-tradition , English , Born-canadian , Danielle-de-niese , Dad , Australian-american

Take Me to the Opera

and now their grandson, gus, who runs glyndebourne, lives on the grounds with his wife, the celebrated australian—american soprano danielle de niese. my dad turned it from being a sort of a country house homespun festival into a world renowned international festival. he knocked down the theatre that his dad had built and he rebuilt the current theatre, which is a 1,200 seater, in the early '90s. and do you have any plans for its evolution? well, you have to have an eye for tradition on the past, but you have to keep relevant. it's about putting on fantastic world class, transformative operas. it's about nurturing young talent. that is the same, but if you want to attract the next generation of audiences in, you cannot keep performing in the same way with traditional sets and costumes.

Glyndebourne , Danielle-de-niese , Grounds , Gus-christie , Theatre , Dad , Sort , Country-house-homespun-festival-into-a-world-renowned-international , Eye , Seater , Tradition , Plans

Take Me to the Opera

the family tradition was continued by their son, george, and now their grandson, gus, who runs glyndebourne, lives on the grounds with his wife, the celebrated australian american soprano danielle de niese. my dad turned it from being a sort of a country house homespun festival into a world renowned international festival. he knocked down the theatre that his dad had built and he rebuilt the current theatre, which is a 1,200 seater, in the early '905. and do you have any plans for its evolution? well, you have to have an eye for tradition on the past, but you have to keep relevant. it's about putting on fantastic world class, transformative operas. it's about nurturing young talent. that is the same, but if you want to attract the next generation of audiences in, you cannot keep performing

Glyndebourne , Danielle-de-niese , Grounds , Gus-christie , George , Family-tradition , Australian-american , Dad , Sort , Country-house-homespun-festival-into-a-world-renowned-international , Theatre , Eye