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Socrates Sculpture Park isn’t like any other arts institution in New York City. It has an ad-hoc, relaxed humanism that contrasts sharply with the crisp white galleries and grand museums across the river. It feels like a laboratory for art—a place where creation is as important, if not more important, than presentation.
Open to artists and activists, Creative Time HQ was conceived as a resource for community-level organizing efforts.
The public art project mimics international expos but has a different agenda: the return of all Indigenous land.
New Red Order has opened an exhibition fairground that invites visitors to become accomplices in decolonization through a series of installations.
As a boy in Ketchikan, Alaska, Jackson Polys would help his father, prominent Tlingit artist Nathan Jackson, carve totem poles behind rope stanchions