Review: Alejandro Iñárritu's freewheeling fantasia 'Bardo'
In “Bardo, False Chronicle of a Handful of Truths,” Alejandro Iñárritu has turned within with just as much zeal as he brought to a bear fight in “The Revenant.”
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In “Bardo, False Chronicle of a Handful of Truths,” Alejandro Iñárritu has turned within with just as much zeal as he brought to a bear fight in “The Revenant.”
The film 'BARDO, False Chronicle of a Handful of Truths' by multi-award winning Mexican director Alejandro González Iñárritu opens in US theaters on November 4.
In Alejandro G. Iñárritu’s sprawling, intensely personal new film, a prominent journalist grapples with work, family, metaphysics and the paradoxes of Mexican history.
In the swaggering, maximalist cinema of Alejandro Iñárritu, Iñárritu has, himself, never been all that far off the screen. Since his blistering debut in “Amores Perros” to his seamless, surrealistic “Birdman or (The Unexpected Virtue of Ignorance),” Iñárritu’s showman-like presence has been easy to feel prodding and propelling the picture along in a ravenous hunt for transcendent images and spiritual epiphany.
Review: Alejandro Iñárritu's freewheeling fantasia 'Bardo' | 2022-11-03 01:17:47