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Daniel Hamm, 30, has been sentenced to two and half years in prison and a 45-month driving prohibition after he was found guilty last year in the impaired…
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Article content A Stratford man left critically injured with 30 broken bones in the parking lot of a 7-Eleven after being hit by an impaired driver who then fled the scene told a Stratford court Wednesday how the trauma he suffered irreparably damaged his life. As Daniel Hamm – the 29-year old Stratford man convicted in December of impaired driving causing bodily harm, dangerous driving causing bodily harm and failing to stop after a collision causing bodily harm – listened virtually from his lawyer’s office, Edward Leu recounted the trauma he suffered and the lasting physical and emoti...
(188 x 586.7 cm); “blood”: 74 ¾ x 231 1/2 in (189.9 x 588 cm); “bruise”: 74 3/4 x 264 3/4 in (189.9 x 672.5 cm); overall approx. 74 3/4 x 797 1/2 in(189.9 x 2025.7 cm). © Glenn Ligon. Courtesy the artist, Hauser & Wirth, New York, Regen Projects, Los Angeles, Thomas Dane Gallery, London, and Chantal Crousel, Paris. Photo: Roberto Marossi Blue. Blood. Bruise. The three words that comprise Glenn Ligon’s neon sculpture, A Small Band (2015), are currently emblazoned on the Bowery façade of New York’s New Museum. Positioned at the threshold to a new exhibition entitled ‘Grief a...
Save this story for later. “Grief and Grievance: Art and Mourning in America,” which recently opened at the New Museum, is a terrific art show. I might have expected that, given a starry roster that includes Kerry James Marshall, Glenn Ligon, Lorna Simpson, Carrie Mae Weems, and Theaster Gates among its total of thirty-seven contemporary Black artists. But theme exhibitions normally repel me, shoehorning independent talents into curatorial agendas. What a difference in this case! “Grief and Grievance” is a brainchild of the Nigerian curator Okwui Enwezor, who, notably with his curatio...