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Jafar Panahi's latest feature, completed shortly before he was imprisoned by the Iranian government, is both a searing work of social criticism and a barbed rumination on the movie medium itself
Jafar Panahi's latest feature, completed shortly before he was imprisoned by the Iranian government, is both a searing work of social criticism and a barbed rumination on the movie medium itself.
The latest feature from Jafar Panahi, who is currently imprisoned in Iran, explores the subversive power and the ethical limitations of filmmaking.
Through the looking glass: Jafar Panahi’s latest No Bears, offers a profound and timely story about the real and imagined borders—national, social, religious—that constrict the freedoms of Iranians