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For her beguiling reimagining of “The Magic Flute,” adapter/director Mary Zimmerman scaled back Wolfgang Amadeus Mozart’s beloved 18th-century singspiel. But she did not skimp. Zimmerman’s dow...
It's important to realize that this is not so much a version of Mozart’s opera but something new, with its own libretto adapted by Mary Zimmerman.
Some people understandably roll their eyes at the very thought of seeing ‘The Sound of Music’ again. But Marriot’s production’s naturalistic yet fully theatrical quality, along with its subtle sense of dramatic rhythm, creates a level of profound emotion that too often is lost in revivals of this show.