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Robert Hloz’s debut is a competent copy of Hollywood sci-fi, but it’s too heavily indebted to its influences to develop its own philosophy
In a world where people can be restored from backups when they die, a detective tries to solve a puzzling murder. Jeremy Thomas checks in with his review of Restore Point from Fantasia Fest.
Czech debut director Robert Hloz shows Hollywood-level chops in 'Restore Point,' a nifty vision of a near future where human life can be rebooted.