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Philadelphia Ballet principal Arian Molina Soca sets himself apart in both classical and neoclassical works onstage and his camera work offstage.
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It is a light as air, fun, a comedic love triangle of boy, girl — and doll. Corella’s version includes mostly familiar technique, but is demands strong dancing and acting.
It’s time again to escape to an enchanting night when dreams come to life — through magical dance. “The Nutcracker,” set to the unforgettable music of Tchaikovsky, is a holiday tradition set to delight all audiences.
Pointe spoke to Philadelphia Ballet principal Dayesi Torriente about what's in her dance bag.