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His angle was The End. A rollicking disquisition on Minimalism’s debt to science fiction, B-movies, and the second law of thermodynamics, Robert Smithson’s Artforum debut, “Entropy and the New Monuments,” linked the so-called primary structures of artists such as Donald Judd, Dan Flavin, and Sol Dewitt to entropy, that universal force of decay, which erodes everything into an all-engulfing sameness. “Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future,” Smithson wrote. Cynical, sure, but his essay glimmers wit...
The First Art Newspaper on the Net., art daily,art news,artdaily, daily art, art, art newspaper, Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography, Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs, Anecdotes, Art Quiz, Education, Mythology, 360 Images, 3D Images, Last Week,, , , , ,
American painter Dean Fleming's 1960s canvases reflect not only his own stylistic development, but also that of abstraction on a whole.
Forty years ago a young man from Gomersal attended one of Yorkshire’s most well-loved summer agricultural shows for the first time. In just less than a month he will once again be there, but on this occasion with a very different agenda.