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Heart(s) of Darkness: 20 Films Where Love Hurts, Love Scars, Love Wounds & Mars - Vimarsana News

Heart(s) of Darkness: 20 Films Where Love Hurts, Love Scars, Love Wounds & Mars

For the prudently (or perhaps cynically) inclined, the prolific and notoriously antagonistic author Harlan Ellison said it best when he wrote “love ain’t nothin’ but sex misspelled.” The notion of what constitutes love is multifaceted and inherently contextual, despite the significant cultural conditioning suggesting, not only universality, but the dangerous superficiality of the happily-ever-after syndrome … Heart(s) of Darkness: 20 Films Where Love Hurts, Love Scars, Love Wounds & Mars Read Mo

Source: aol.com
'Private Network: Who Killed Manuel Buendía?': Release date, how to watch, plot and all you need to know about the documentary - Vimarsana News

'Private Network: Who Killed Manuel Buendía?': Release date, how to watch, plot and all you need to know about the documentary

How to watch Plot As per the official synposis, "Directed by Manuel Alcalá (Museo), produced by Gerardo Gatica (Ya no estoy aquí, Selva Trágica), Inna Payán (La Jaula de Oro) and Luis Salinas, and narrated by Daniel Giménez Cacho, this documentary presents the life of the investigation journalist Manuel Buendía, who was assassinated in 1984 outside of his office in Mexico City. More than 35 years after his death, this feature-length documentary gathers the voices of different voices contemporary to Buendía, through which his work will be presented and whom testimonies wil...

Source: meaww.com
Review: Devil Between the Legs - Vimarsana News

Review: Devil Between the Legs

film profile] (2015), and this one, which is now landing in Spanish movie theatres. Appearing in both titles is the director’s pet actress ( Patricia Reyes Spíndola), but the former’s urban and nocturnal squalor, populated by dwarves, pimps and prostitutes, has been swapped out for a more diurnal, home-based story, but one that’s just as audacious when it comes to serving as a mirror of the human being and its basest of acts. Here, it’s just one married couple, their maid and the husband’s lover whom we see (plus the odd brief appearance, such as the dancing partner played by