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NGV International opens "Bark Ladies: Eleven Artists from Yirrkala in Northeast Arnhem Land" - Vimarsana News

NGV International opens "Bark Ladies: Eleven Artists from Yirrkala in Northeast Arnhem Land"

Bark Ladies: Eleven Artists from Yirrkala is a major ground floor exhibition at a href= https://www.ngv.vic.gov.au/ target= _blank NGV Internationa

'It keeps me alive': the politically potent bark paintings of Dhambit Munuŋgurr | Indigenous art - Vimarsana News

'It keeps me alive': the politically potent bark paintings of Dhambit Munuŋgurr | Indigenous art

While her blue artworks can fetch up to $60,000, the prolific Yolŋu artist is known for giving them away – with Julia Gillard at the top of her gift list

Morning mail: NDIS' 'stealth cuts', Australia's influence wanes, new tunes | - Vimarsana News

Morning mail: NDIS' 'stealth cuts', Australia's influence wanes, new tunes |

<strong>Monday</strong>: A terminally ill patient has his funding slashed. Plus: Guardian Australia’s top music picks this month

Can we all have a happy life? - Vimarsana News

Can we all have a happy life?

By Myles Russell-Cook The colour blue is dominant in the work of Yolŋu artist Dhambit Munuŋggurr, who first discovered the hue in 2005, when she was left wheelchair bound after a car accident. Her installation for the NGV Triennial Can we all have a happy life?, 2019–20, is generously supported by Orloff Family Charitable Trust. Perhaps more so than any other colour, blue has fascinated artists, giving it a unique place in the art world. In all human material culture the colour blue is loaded with meaning. During the Renaissance in Italy, painters coveted lapis lazul...

Source: vic.gov.au
Melbourne's NGV Triennial Ponders the Distant Past and a Post-Pandemic Future - Vimarsana News

Melbourne's NGV Triennial Ponders the Distant Past and a Post-Pandemic Future

Copy What might be called the Art Fair Industrial Complex has been an ambivalent force on both art markets and art itself in recent years: in one view, fairs offer their attendees chances to see international work they wouldn’t otherwise have access to; in another, the vast mall of it all dulls context into commerce. Such questions were put on hold with COVID-19 but as signs of life return—the Istanbul Design Biennale takes place through May 2021, overlapping with the projected return of Art Basel Hong Kong in March—it’s worth thinking about how such massive enterprises use space ...