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Dreams in Splattered Lines refines the long-running noise band's approach to cinematic horror: still gross and grueling, but painted in thicker strokes of neon gloom.
Dreams in Splattered Lines refines the long-running noise band's approach to cinematic horror: still gross and grueling, but painted in thicker strokes of neon gloom.
Dreams in Splattered Lines refines the long-running noise band's approach to cinematic horror: still gross and grueling, but painted in thicker strokes of neon gloom.
Dreams in Splattered Lines refines the long-running noise band's approach to cinematic horror: still gross and grueling, but painted in thicker strokes of neon gloom.
Wolf Eyes (the Michigan-based experimental sound and visual art collective currently led by Nate Young and John Olson) announced Dreams In Splattered Lines, their first widely-distributed non-compilation album in six years. It includes 'Engaged Withdrawal,” “My Whole Life,” & “Days Decay' from the upcoming full-length.
Detroit experimentalists Wolf Eyes have announced a new album, Dreams In Splattered Lines, coming later this month via Disciples. Now a duo, with co-founder Nate Young and John Olsen, Wolf Eyes’ latest was mixed and mastered by Warren Defever at Third Man Studio and features contributions from the Pulitzer Prize-winning Native American artist Raven Chacon, Alex Moskos of Drainolith (formerly of AIDS Wolf), and Michigan’s Gretchen Gonzales and Aaron Dilloway. Today, Wolf Eyes are sharing three new songs from Dreams In Splattered Lines. They are also announcing an upcoming 25-year anniversary residency in Michigan.