What she manages to do is to inject something that approaches human emotions into scenes which are big, smashy—crashy, cgi stuff coming on, you know, multi—verse stuff, in the middle of it, you believe in her. so everybody else is doing the kind of pantomime stuff very well, very nicely orchestrated, a little bit cgi—heavy for my liking, but she's the one kind of divining rod. ok, i believe in that character and i believe in the stuff that she's going through and, therefore, oddly, the film worked for me in a way which i hadn't expected it to. 0k, interesting, which is interesting, becau...