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Martin Gore: The Third Chimpanzee EP


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Since 1989, in and around writing the bulk of the songs recorded by Depeche Mode, Martin Gore has been slowly building a solo discography. It’s a humble side hustle comprising cover versions or, as on
MG, modular-synth instrumentals, some of which originated as demos for his band’s 2013 album
Delta Machine. But with Gore having no one to please but himself, he’s free to make weirder and more dynamic sounds than he would dare with the day job.
The Third Chimpanzee is his darkest—and strongest—solo work yet. The five instrumentals, all of them named after different primates, have the overdriven sting of vintage industrial, with bone-shuddering bass and the nastiest synth eruptions that he has elicited since Depeche Mode’s 1997 album ....

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The Notwist: Vertigo Days


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Nearly two decades have passed since the release of the Notwist’s
Neon Golden. An ingenious synthesis of indie rock and electronica, the album was a shining example of “plinkerpop,” Morr Music founder Thomas Morr’s term for a wave of delicate, humanistic electronic pop music that emerged around the turn of the millennium. The Notwist’s core duo of Markus and Micha Acher—two brothers from old-world Bavaria in the south of Germany—have at times tried to tweak their formula, with mixed success. Ricocheting between guitar rock, shoegaze, and downbeat ambience, 2014’s
Vertigo Days, their first in seven years, uses a long period of absence and a rupture in the lineup as a route to reinvigoration. New to the fold is Cico Beck, who replaces Martin “Console” Gretschmann, the master programmer who aided the Notwist’s evolution from indie rockers to electronica mavens. On ....

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