Alex Kitnick on "Lifes" - Artforum International
THE GESAMTKUNSTWERK is one of modernism’s most telling inventions. Built from dance, music, theater, and poetry, it sought to stanch the crisis of modernity with a multisensory experience: If life was breaking up—split between public and private, work and leisure—the “total work of art” promised to bind disciplines and audience together to create something like community. Beginning in 1876 under the patronage of King Ludwig II of Bavaria, Richard Wagner launched a festival to stage his epic operas in Bayreuth, Germany, inspiring a devoted, at times fascistic, cult as well as fierce...