Curious contradictions | The New Criterion
Elroy Rosenberg on “WesleyWorld: Works on Paper and Objects 1961–2004” at Pace Gallery, New York.
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Elroy Rosenberg on “WesleyWorld: Works on Paper and Objects 1961–2004” at Pace Gallery, New York.
Elroy Rosenberg on “Zoomers,” by Matthew Gasda, at the Brooklyn Center for Theatre Research, New York.
Elroy Rosenberg on“Ruth Miller’s Enduring View” at the New York Studio School.
Ten years on from its release, we revisit Fleet Foxes’ seminal sophomore album. What makes an album great? Some point to a cohesiveness, others a sense of innovation. Some argue for epochal turning points: there was a time before Blonde on Blonde, and a time after it. But my answer lies elsewhere, and touches on […]