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Stepping off the elevator onto the seventh floor of Pace’s West 25th Street headquarters, viewers stand at the edge of a field of sculptures that are a mix of formal/classical and exotic/non-Western forms and surfaces that gently pulsate, oscillate and, from certain perspectives, dematerialize. This is Tara Donovan: Stratagems, the artist’s current show of eleven discrete sculptures (all 2024) ranging in height from 8–10 feet made entirely from CD-ROMs.

In Hank Willis Thomas’s LOVERULES—From the Collections of Jordan D. Schnitzer and His Family Foundation, at the Henry Art Gallery in Seattle, the material is the spectacle of American media itself, and the most commercial parts of it: advertisements, sports, logos, slogans—in this place, the United States, at this time—now, or what passes for now, which in Thomas’s hands includes the last four hundred years.

Art - Prior to its temporary closure for renovation in 2025, Centre Pompidou bids farewell to Romanian sculptor Constantin Brancusi with a comprehensive

SOHO Gubei by Kohn Pedersen Fox Associates (KPF)

I Although our social relations were almost entirely limited to chance encounters at Queens College (we were both members of the art department), I recall once meeting Richard Serra at…