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Beowulf the Bro | History Today


In the introduction to his 1952 translation of
Beowulf, the Scottish poet Edwin Morgan ventured that in translation ‘communication must take place; the nerves must sometimes tingle and the skin flush, as with original poetry’. Morgan’s aim was to ‘interest and at times to excite the reader of poetry without misleading anyone who has no access to the original’. Fidelity and accuracy are all well and good, but a true translation must
speak to the reader. It must connect in a way that sparks a dialogue with the tingling life fluttering within their bone-house, to borrow a much-loved Old English kenning. And it is precisely this deeply exciting conversation – between translator and reader, between the Old English epic and the 21st-century moment – that Maria Dahvana Headley’s radical verse translation of ....

Seamus Heaney , Maria Dahvana Headley , Edwin Morgan , English Literature At University College , Old English , King Hrothgar , Second World War , Yet Headley , Middle English Literature , University College , சீமஸ் ஹீனி , எட்வின் மோர்கன் , ஆங்கிலம் இலக்கியம் இல் பல்கலைக்கழகம் கல்லூரி , பழையது ஆங்கிலம் , இரண்டாவது உலகம் போர் , இன்னும் ஹெட்லி , நடுத்தர ஆங்கிலம் இலக்கியம் , பல்கலைக்கழகம் கல்லூரி ,