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Sex — winked at or engaged in — has occupied the center of “Cabaret” since its 1966 Broadway premiere and onward to Bob Fosse’s classic 1972 film version

While Bird’s delivery can make him sound by turns grumpy and dotty, much of what he says is actually sensible The conversation continues in this vein. Bird pivots constantly between righteous journalistic anger at Government nefariousness and personal irritation at his country strolls being curtailed, sounding like a cross between Peter Finch’s mad-as-hell newscaster in Network and Grampa Simpson. Even McInerney’s formidable interviewing skills prove futile in the face of her guest’s verbal onrush: after a couple of unsuccessful attempts to read out a text to Bird, the...