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Amsterdam-based photographer Nana-Ampofo has the restlessness of an avid adventurer, combined with the visual wit of a surrealist. Originally from South Africa, the photographer has traveled through the metropolitan and tucked-away rural corners of central Europe, taking and constructing images that inspire first wanderlust and then daydreams. With his series Tabula Rasa (meaning blank slate), he creates uncanny visions in which the urban and bucolic collide to make something new. Here, Ampofo gives us a behind-the-scenes glimpse into exactly how a composite photo like this is made using Adobe...

After a dream, Yanomami shaman and great leader Davi Kopenawa began to reflect: television, cinema and all the images created and transmitted are an important part of white people’s culture. He concluded that it would be a good idea to make a film. “People from the city don’t acknowledge my people. The whites hadn’t been […]

As children, we all grew up with a variety of cartoon characters, who played roles that were goofy, innocent, and subversive. Yet they remain in our

Mike Mignola and Chris Roberson team up for five new Hellboy and the B.P.R.D: 1957 one-shots from Dark Horse Comics

Every French person has heard these words at least once: “The year is 50 BC. Gaul is entirely occupied by the Romans. Well, not entirely… One small village of indomitable Gauls still holds out against the invaders.” Written at the beginning of every volume of the adventures of Asterix, these are some of the most well-known words in French comics — and French pop culture in general. They sum up an idea at the core of Asterix: the irrepressible resistance against oppression, something fundamental to a series that started publication barely 15 years after the end of World War II. First ...