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Mortal Kombat gore? The official trailer for the movie answers this. Advertisement The trailer introduces brand new character Cole Young (Lewis Tan), as well as the franchise’s staple characters, like Sonya Blade (Jessica McNamee), Shang Tsung (Chin Han), Liu Kang (Ludi Lin), Jax Briggs (Mehcad Brooks), and Sub-Zero (Joe Taslim). In case you were concerned the movie wouldn’t include enough of Mortal Kombat’s signature gore, we get to see Sub-Zero destroy Jax’s arms and then use someone’s frozen blood as a weapon, so that should offer some relief. You can check out the not-quite-saf...

John Constantine is coming back to TV (or at least streaming), as HBO Max is apparently gearing up for a new series based on the classic DC Comics magic-user.

In addition to excitement about where WandaVision will go next, one of the more common feelings that has been in the air over the past few months is a general state of existential dread. In a new Disney+ clip from the Marvel series, Scarlet Witch is relatable.

Upon last week’s return to a changed Riverdale seven years into our present, I compared the lamentable state of the town to J.D. Vance’s Hillbilly Elegy, a reference point the latest episode grabs onto and clutches for dear life. With all the characters somewhat settled in their new lives (with the exception of Jughead, who doesn’t have two thin dimes to rub together, unless he Jokerfies himself into a Vance double by writing Elegy For A Small Town, but hold on, we’re getting there), the show requires a new focal point for its dramatic stakes, and the soul of Riverdale will do quite...

The Atlantic With the intimate, Oscar-tipped Eternals set for the fall, this might be the filmmaker’s big year. Phillip Faraone / Getty / The Atlantic Chloé Zhao is having a very busy 2021. She’s buried in postproduction on a Marvel movie, Eternals, due out this November. Her third feature film, Nomadland, will be released wide tomorrow, screening both on Hulu and in open theaters around the country. It’s a big, bold rollout for an ostensibly intimate drama. But Zhao’s films have always had a grand scale to them, even though they’re made on tiny budgets. Her first two films,