The Paris Review - The Frenchwoman from Indianapolis
“The pleasure that comes from reading Flanner’s prose is often accompanied by a kind of relief that here, finally, is an actual adult.”
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“The pleasure that comes from reading Flanner’s prose is often accompanied by a kind of relief that here, finally, is an actual adult.”
In her final book, Malcolm reflects on her career-long preoccupation with photography—and considers memory as both muse and captor.
Old photographs catalysis this evasive and poignant book of memoirs. Book review by Hugh Barnes
Back in print for the first time in 25 years, the late Irish writer's chilling tales expose the oddness of even the most ordinary existence
Janet Malcolm’s posthumously published memoir avoids becoming marooned in minutiae by leading each chapter with a photograph.