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A new exhibit at Brandt Roberts Galleries, "There's No Place Like Home," sheds light on various artists' perceptions of home.

On today’s episode of The Confluence: Government and accountability editor Chris Potter previews the races that will be decided in Tuesday’s election; reporters from the Post-Gazette describe the findings of an investigation into the rising number of drug-exposed babies born in rural communities, and how neighboring West Virginia’s approach differs from Pennsylvania’s; and we hear a profile of a local artist who immigrated from Guyana as a child and now incorporates Black culture and leaders in his mixed-media work.

The first crawl of the fall brings a harvest of painted text, unexpected losses and Brooke Shields

BlogsCommunityMusicArtsScreenEat & DrinkLegals The eyes tell the story in Caitlin Cartwright's paintings The Detroit artist's new body of work, on view at Brandt-Roberts Galleries starting Saturday, June 5, explores the thin line between joy and tragedy Columbus Alive About 10 years ago, Caitlin Cartwright lived in rural Namibia while working for the Peace Corps as a teacher in southern Africa. During the rainy season, flooding in the area would create ponds where children would sometimes play and swim.  One day, Kaino, an elementary student in Cartwright’s homeroom, was playing in a pond ...

Feedback from stakeholders is favourable, for the most part. “On the whole, pension regulators have been sensible and reasonable,” says Gavin Benjamin, partner in Morneau Shepell Ltd.’s retirement solutions business. They’ve been responsive as well, which could help account for the positive reviews. “Regulators have been very engaged in consultations with stakeholders,” says Andrea Boctor, a pension partner at Osler, Hoskin & Harcourt LLP. Hindsight (on 2020) is 20/20 Indeed, experts recognized the unfairness of using hindsight to evaluate decisions taken in uncertain times and fl...