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take something that s familiar, and give it some chili pepper. advertising is based on one thing, happiness. is there any taboo that you wouldn t break? not if there was a funny idea. what is wrong with you? there s so much different storytelling, and so many different stories being told about so many different people. i don t think dramatic series television has ever been stronger. there s no longer this theory of what popular entertainment must be. incoming! who are the heroes? the people who watch this show. this is the week when the major broadcast networks unveil their full lineup of shows. and every executive in hollywood knows how well the sopranos is doing on cable, which is a network problem. i think hbo altered everything for this reason alone, is there were no commercials. we are dependent on sponsors. right. there is so much we can do in terms of language, in terms of violence, and in terms of sex. to a large degree, a lot o ....
there s no longer this theory of what popular entertainment must be. incoming! who are the heroes? the people who watch this show. this is the week when the major broadcast networks unveil their fall lineup of shows. and every executive in hollywood knows how well the sopranos is doing on cable, which is a network problem. i think hbo altered everything for this reason alone, is there were no commercials. we are dependent on sponsors. there s so much we can do in terms of language, in terms of violence, in terms of sex. to a large degree, a lot of executives were just sanding off the edges of what was interesting. i think hbo is looking at the world and going, okay, how can we matter? for quite a long time, movies and boxing were the bread and butter of hbo. people watch a show because you re partly a [ bleep ]. i think what we learned through shows like the larry sanders show or oz is that we could do serious television. there s so ....
Hurdle it seemed of not only are you fighting the natural fight that every show does about getting an audience, trying to stay on the air and keep your job, yada-yada. make way for the fastest man alive. oh no. see, this is why i wanted to have a costume meeting. but then there was also this weird wave of energy coming like you re in a genre that s passe, that we re done with this. we don t want to see this anymore. and the emmy goes to jim parsons, the big bang theory. obviously, we didn t go away. and i believe very strongly that the multicam, the way they re shot in front of the studio audience, you hear the other people laughing i think it ignites something that s innate in all of us. it s very primal, almost, which is that desire to gather as a group and hear a story. hey, lorne, look. live from new york, it s saturday night. ....
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oh! there s no special effects. again? hopefully good words with good actors. it must be humbling to suck on so many different levels. big bang had this weird hurdle, it seemed, of not only are you fighting the natural fight that every show does about getting an audience, trying to stay on the air and keep your job, yadda yadda. make way for the fastest man alive! oh! see, this is why i wanted to have a costume meeting. but then there was also this weird wave of energy coming in like, you re in a genre that s passe, we re done with this, we don t want to see this anymore. and the emmy goes to jim parsons, the big bang theory. obviously we didn t go away, and i believe very strongly that the multicam, the way they re shot in front of the studio audience, you hear the other people laughing, i think it ignites something that s innate in all of us. it s primal, which is that ....