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Our frightening times - Vimarsana News

Our frightening times

In a world ever smaller and more connected, encouragement is needed. By Gillian Bouras

The thing with feathers - Vimarsana News

The thing with feathers

Humans depend greatly on hope. In a recent interview, Tova Friedman discusses her book The Daughter of Auschwitz, the memoir of the part of her childhood spent in the eponymous and notorious concentration camp. Can someone who has seen first hand the depths of human depravity be at all hopeful about the future? By Gillian Bouras

Race relations - Vimarsana News

Race relations

What causes racism? How does it start? Perhaps that’s at the heart of the matter: the difference, and the fear of it. Historically, we have tried to manage the fear via labels and categories: think of the ancient Greeks and their idea that anybody who did not speak Greek was a barbarian because of the bar-bar sounds that they made. By Gillian Bouras

The exile of place and time - Vimarsana News

The exile of place and time

Writers are not only preoccupied, among other things, with the concept of place, but also with the matter of time and its passing. Novelist L.P. Hartley famously wrote that the past is a foreign country: they do things differently there. Cretan Nikos Kazantzakis considered that ‘the face of Greece is a palimpsest bearing twelve successive inscriptions,’ and he went on to list them, from the 1930s, when he wrote these words, to the Stone Age. By Gillian Bouras

Received lives - Vimarsana News

Received lives

I admit to a weakness for pomp and pageantry. I am, after all, a child of Empire, and swore allegiance to Queen Elizabeth II every Monday morning for years on end. So I watched the recent Trooping of the Colour, part of the Platinum Jubilee celebrations, and thoroughly enjoyed it, admiring the military precision and all the discipline required, the glitter, the splendour, the dashing aristocrats of the equine world, the sheer vividness of the unrolling scene. And all in honour of the Queen’s birthday. By Gillian Bouras